The present work, known in its final state as L’Abandon, can trace its origin to the 1888 plaster by Claudel known as Sakountala. Based on the eponymous Indian legend of the 5th century in which the heroine loses the affection of her beloved prince, only to regain it once more, the plaster was awarded an honorable mention at the Salon that same year. In fact, Sakountala most likely inspired Rodin and his famous composition of the following year, L’Eternelle idole.
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Camille Claudel | L’Abandon, 1988-1905
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